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YouTube Music Rights Management Certification is given by Youtube and with YouTube Music Rights Management Certification you can demonstrate your mastery of youtube music rights management. The YouTube Music Rights Management Certified users will have ability to management of youtube music rights. You have to complete all course videos, modules, and assessments and receive a minimum score of 80% on each assessment to receive credit. YouTube Music Rights Management Certification will make you expert in youtube music management, through which you can converts into leads and new customers and gain benefit in your business or career .
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ServiceCentreList.com is providing the answer of questions asked in YouTube Music Rights Management Certification exam. With these answers you will be able to score 100%+ exam and can get YouTube Music Rights Management Certification. For that you need to just attempt all the questions mentioned for YouTube Music Rights Management Certification.
YouTube Music Rights Management Certification Questions Answers
1. How Could You Best Describe The Relationship Between Copyright Law And Content On YouTube?
Copyright doesn’t matter on YouTube.
YouTube’s lawyers handle copyright infringement on YouTube so users don’t have to.
YouTube’s tools and policies are designed to protect rightsholders’ copyrights, and users who don’t respect our tools and policies are subject to consequences.
Everything uploaded to YouTube is considered an original work and therefore does not violate any copyright laws.
Sound recording
Musical composition
Music video
None of the above. Copyright law only protects his song once it’s uploaded to YouTube.
Lin owns the rights to the music video and sound recording, but John owns the rights to the underlying musical composition.
Lin owns the rights to all of the content in the video because it’s a derivative work.
John owns the rights to all of the content in the video because it wouldn’t exist without the song he wrote.
Lin owns the rights to the sound recording only. John owns the rights to the musical composition and the video.
The YouTube Audio Library
Creative Commons
Public Domain
All of the above
She should have gotten permission from John to record his song.
She should have given credit to John in the video description.
She should have altered the song so that Content ID couldn’t match it.
None of the above. Content ID automatically blocks cover songs from YouTube.
Consult a lawyer.
Upload the video to YouTube and see what happens.
Ask his YouTube partner representative.
Upload the video and tag the artist in the comments.
Agree to the claim and let the label apply their policy to the video.
Dispute the claim if she obtained permission from the label and publisher to use the clip.
Remove the music video clip from the video.
All of the above.
Only in the U.S. and Canada.
Everywhere except for the U.S. and Canada.
Worldwide.
Nowhere.
Content ID matching
Copyright takedowns
Copyright strikes
YouTube Analytics API
10. Which Tool Is Only Available To Music Partners Who Have Access To Content ID?
YouTube Studio
Content Manager CMS
Analytics for Artists
Audio Library
Elizabeth could give Administrator access to Ron, and create roles with more restrictive access for the other employees.
Elizabeth could give content owner access to Ron, and Administrator access to the other employees.
Elizabeth could give channel manager access to Ron, and content owner access to the other employees.
Elizabeth could create an email alias with Administrator access that all employees can use.
12. Which Of The Following Statements Is True?
YouTube Studio and Content Manager CMS both contain Analytics that describe content performance.
CMS stands for Content Management System.
YouTube Studio lets you manage content for a single channel.
All of the above.
13. Which Of The Following Is A Music Asset Type?
Composition Share
Web
Movie
Television Episode
14. How Could You Best Describe The Relationship Between Assets And Videos On YouTube?
Each asset on YouTube contains one or more videos.
Each video on YouTube contains one or more assets.
Videos and assets are the same thing.
Videos contain metadata, while assets contain references.
It’s one song in an album.
It’s video or audio content that Content ID uses for matching.
It’s a container of information that represents copyrighted content on YouTube.
It’s the underlying words and lyrics of a song.
Metadata, ownership information, claiming policies, and linked relationships to Sound Recording Assets.
Metadata, references, and linked relationships to Sound Recording Assets.
References, lyrics, and ownership information.
Metadata, sound recordings, and claiming policies.
Metadata, ownership information, and match policies.
References, lyrics, and ownership information.
Metadata, musical compositions, and match policies.
Metadata, references, ownership information, and match policies.
18. Who Is Responsible For Accurately Representing The Ownership Information For An Asset On YouTube?
YouTube’s lawyers
Content managers and rightsholders
The users who upload videos containing that asset
Because YouTube will automatically block videos containing the asset in the territories outside of North America.
Because claiming ownership in territories where they don’t own the asset could lead to bad claims and the termination of the company’s partnership with YouTube.
Because YouTube will automatically monetize videos containing the asset in North America.
None of the above.
Conflict of interest
Claim dispute
Copyright takedown
Ownership conflict
Verify the conflicts in the Asset Conflict Report or Issues queue in Content Manager CMS.
Edit the ownership information that was made in error.
Contact the other owners and ask them to update their ownership information, if they made errors.
Delete and re-deliver the assets.
22. Which Statement About Delivering References Is True?
References can come from any YouTube channel.
References can include indistinct sound recordings and public domain beats.
References should include third-party material.
References should contain only material that the rightsholder owns.
A reference overlap. YouTube will reach out and help them mediate the problem.
A reference overlap. The label that delivered the most recent reference will need to address the overlap in their Issues queue.
A reference ownership conflict. One label needs to redeliver their asset with different asset ownership information.
A claim dispute. The first label to respond will get to use the reference.
A music video for the Music Video Asset, and sound recordings for the other songs.
A sound recording for the music video, and music video for the other songs.
One long sound recording for the entire album.
One visual-only video for the entire album.
User-uploaded
UGC
Partner-uploaded
Manual
Create a manual campaign targeting Artist A’s videos.
Automatically route all new claims for manual review.
Issue a copyright takedown notices for Artist A’s cover videos.
Whitelist Artist A’s channel.
Within 60 days.
Never – the claims will resolve themselves.
As soon as possible.
Only after they receive an official warning from YouTube.
User-uploaded claim that the user has appealed.
User-uploaded claim that the claimant has appealed.
Partner-uploaded claim that the user has disputed.
Partner-uploaded claim that the claimant has disputed.
Content ID applies a match policy to partner-uploaded claims.
Content ID applies an upload policy to partner-uploaded claims.
Content ID applies an upload policy to user-uploaded claims.
Content ID applies a Block policy to user-uploaded claims.
Track
Block
Monetize
All of the above
Track, block, monetize.
Block, track, monetize.
Monetize, track, block.
Block, monetize, track.
Block user-uploaded videos in Spain where user video match amount <5%.
Track user-uploaded videos in Spain where visual reference match amount >50%.
Block user-uploaded videos in Spain where audio reference match amount >95%.
Track partner-uploaded videos in Spain where audio reference match amount >5%.
33. Why Should Label Z Monitor Copyright Strikes For All Of Their Artists’ Channels?
Even a single strike leads to account termination.
Multiple strikes may impact their access to features.
Channels are unable to take action on strikes against their account.
Partner strikes on YouTube never expire.
Reinstate the claim
Retract the dispute
Release the claim
Copyright takedown
Submit a counter-notification to keep the video on YouTube.
Reach out to Publisher X and ask for a retraction.
Accept the takedown.
Delete the video and reupload it with a different title.
Block
Track
Monetize
Both Block and Track
The video will monetize in Shawna’s territory.
The video will be tracked in Shawna’s territory.
The video will be blocked in the other partner’s territory.
The video will not appear on YouTube until Shawna sets a policy.
Monetize
No policy
Track
Package uploader
Basic YouTube.com UI
DDEX
SFTP or Aspera Dropbox
Validate the metadata
Add asset labels
Add Custom IDs
Link Composition Share Assets to Sound Recordings
41. What Do Labels Need To Deliver To YouTube That Publishers Typically Don’t?
Assets
References
Metadata
Ownership information
Yes, because if another user delivers the songs to YouTube first, that person will become the rightsholder.
Yes, because they become Art Tracks and are critical to earning revenue and exposure across YouTube and YouTube Premium.
No, because only official music videos belong on YouTube.
No, because Content ID can’t claim songs without music videos.
Sound Recordings and Music Videos
Music Video Assets and Art Tracks
Composition Share Assets and Sound Recording Assets
Composition Share Assets and Art Tracks
BigQuery
Content ID
YouTube Reporting API
Content Manager CMS
Comparing revenue between two channels.
Comparing revenue for one asset.
Transferring many reports on a set schedule and storing that data.
Transferring data between two content owners.
Compare asset policies across the channels he manages.
Compare asset performance across videos.
Compare watch time performance across videos.
Compare traffic across an artist’s videos.
47. Subscription Revenue Reports Tell Music Partners About Revenue Coming From Where?
Live streams
YouTube Premium and YouTube Music paid subscriptions
Memberships
Non-music YouTube videos
Publisher X
Publisher Z
Publisher X and Z must coordinate with each other
YouTube
Reference Files Report
Ads revenue reports
Asset Conflict Report
Claims Report
50. Which Of The Following Is NOT Part Of The Content ID Matching Process?
References
DDEX
Assets
Claims
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